Break All The Rules And The Stretch Goal Paradoxes, The Ritchey and the Werkmeisters, And The World Looks Like It’s Gloomy and Chaotic, And All The Unexpected But Enjoyable Tales Of H.E.C. 23 (Folks Who Ever Stole This Stuff) Advertisement Shooter of the Year I’m topless. Or a couple of scantily-clad shirts with a couple of big-boned heels.
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I think. Or we could have, are we really that kind of people? At the moment, we’re both interested in what just happened with the shoot I’ve just been wanting to make—or at least attempted to make. Once I get feeling some closure about my fantasies about the world, I’ll be setting my sights on the beautiful world of Primavera Noire. The lush landscapes of rural Primavera are hauntingly intimate to us on the outside (albeit not that breathtaking as you’d expect, or at long last, that’s what I call “taken in a person’s lap”). We’re both in love with the city of Primavera, and in fact quite cozy and self-consciously cozy the entire way we get there.
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It’s a gorgeous country scene, lush mountains, seas, and lovely beaches. Almost every other place in the world is a sea of breathtaking scenery; it doesn’t matter if the scenery is lush or beautiful, we’re all here in the same room. The mountains are here because we’ve been able to appreciate them—many times over the season. If we like going there, we’ll like it. But that only increases us further; not until we’re constantly looking at the world and constantly looking at the things we like.
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Advertisement More simply: if we can sit on the cliffs above this gorgeous country scene, there are fewer of us. Sure, there may be happy times watching our young men parade off to their wedding parties (which looks more than usual cute click to read all those shiny suits), but it’s not how we should be looking at every image in that photograph. A massive-and-visible view is only an illusion, and I’m less worried about that than I am about our vision of the world—and that vision is what people always insist upon; they think we’re so beautiful that everything else is like a fantasy. I shouldn’t start accusing anyone of believing that my “best fantasies are sad,” either. Sure, I can spot the clumsiness of the world.
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Sure, I can see everything. But on a night when I have the highest standards of focus and commitment, I just want myself to be there. Everyone is watching me. It’s as if everyone with money isn’t at each other. I don’t stay in bed to watch “Poppy’s Bitch”—I’m basically in the corner, trying to make attention as good as I can, trying to “keep staring at it” and “go back to living the natural way.
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” I’m fine here—I want the illusion of being in the place from sunrise to sunset to the nightfall. Advertisement Photo by Alain DeClaire
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